Résumé
Dans le présent article, l’auteure examine comment ‘Abdu’l-Bahá a fait la promotion des arts durant son ministère par son encouragement et son soutien à un artiste éminent de la jeune communauté bahá’íe. Mishkín-Qalam a été le premier et le plus célèbre artiste visuel bahá’í de l’Orient. Surtout connu pour sa calligraphie du
Plus Grand Nom, il a incarné de par sa vie le « double objectif moral » : grâce à son art, il a développé son potentiel spirituel et apporté une contribution durable à la
société. ‘Abdu’l-Bahá a mis les talents de l’artiste au service de quelques-unes des réalisations les plus importantes de son ministère : l’inhumation des restes du Báb, la construction de la première Maison d’adoration bahá’íe et la transcription d’écrits bahá’ís. L’encouragement prodigué par ‘Abdu’l-Bahá peut servir de modèle aux individus, aux communautés et aux institutions quant à la façon de faire appel aux artistes et aux arts, tandis que, pour les artistes, la réponse de Mishkín-Qalam illustre comment peuvent se conjuguer la quête de spiritualité et l’excellence dans la pratique de son art.
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