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Resumen
Este artículo examina como ‘Abdu’l-Bahá promovió las artes durante su ministerio, por medio de su motivación y apoyo a un prominente artista en la temprana comunidad Bahá’i. Mishkín-Qalam fue el primero y el más célebre artista visual Bahá’i del Este. Major conocido por su diseño caligráfi co del Más Grande Nombre, su vida ejemplifi có el “doble propósito moral” por medio de su arte, pudo desarrollar su inherente potencial espiritual así como hacer una contribución duradera a la sociedad. ‘Abdu’l-Bahá utilizó su habilidad artística como un servicio a algunos de los logros más importantes de Su ministerio: la sepultura
de los restos del Báb, la construcción de la primera Casa de Adoración, y la transcripción de la literatura Baha’i. El ánimo dado por ‘Abdu’l-Bahá podría servir como un modelo emergente para individuos, comunidades, e instituciones de como involucrar a los artistas y las artes,
mientras que la respuesta de Mishkín-Qalam se destaca como un ejemplo para los artistas de como la búsqueda de la virtud y excelencia espiritual en el arte de uno pueden entretejerse.
Citas
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